viernes, 26 de mayo de 2023

primera parte

 The moment two humans lay eyes on each other has awesome potency. The

first sight of you is a brilliant holograph. It burns its way into your new

acquaintance’s eyes and can stay emblazoned in his or her memory forever.

Artists are sometimes able to capture this quicksilver, fleeting emotional

response. I have a friend, Robert Grossman, an accomplished caricature

artist who draws regularly for Forbes, Newsweek, Sports Illustrated,

Rolling Stone and other popular North American publications. Bob has a

unique gift for capturing not only the physical appearance of his subjects,

but zeroing in on the essence of their personalities. The bodies and souls of

hundreds of luminaries radiate from his sketch pad. One glance at his

caricatures of famous people and you can see, for instance, the insecure

arrogance of Madonna, the imperiousness of Newt Gingrich, the bitchiness

of Leona Helmsley.

Sometimes at a party, Bob will do a quick sketch on a cocktail napkin of

a guest. Hovering over Bob’s shoulder, the onlookers gasp as they watch

their friend’s image and essence materialize before their eyes. When he’s

finished drawing, he puts his pen down and hands the napkin to the subject.

Often a puzzled look comes over the subject’s face. He or she usually

mumbles some politeness like, ‘Well, er, that’s great. But it really isn’t me.’

The crowd’s convincing crescendo of ‘Oh yes it is!’ drowns the subject

out and squelches any lingering doubt. The confused subject is left to stare

back at the world’s view of himself or herself in the napkin.

Once when I was visiting Bob’s studio, I asked him how he could capture

people’s personalities so well. He said, ‘It’s simple. I just look at them.’

‘No,’ I asked, ‘How do you capture their personalities? Don’t you have

to do a lot of research about their lifestyle, their history?’

‘No, I told you, Leil, I just look at them.’

‘Huh?’

He went on to explain, ‘Almost every facet of people’s personalities is

evident from their appearance, their posture, the way they move. For

instance …’ he said, calling me over to a file where he kept his caricatures

of political figures.

‘See,’ Bob said, pointing to angles on various presidential body parts,

‘here’s the boyishness of Clinton,’ showing me his half smile; ‘the

awkwardness of George Bush,’ pointing to his shoulder angle; ‘the charm

of Reagan,’ putting his finger on the ex-president’s smiling eyes; ‘the

shiftiness of Nixon,’ pointing to the furtive tilt of his head. Digging a little

deeper into his file, he pulled out Franklin Delano Roosevelt and, pointing

to the nose high in the air, ‘Here’s the pride of FDR.’ It’s all in the face and

the body.

First impressions are indelible. Why? Because in our fast-paced

information-overload world of multiple stimuli bombarding us every

second, people’s heads are spinning. They must form quick judgments to

make sense of the world and get on with what they have to do. So,

whenever people meet you, they take an instant mental snapshot. That

image of you becomes the data they deal with for a very long time.

Your body shrieks before your lips can speak

Is their data accurate? Amazingly enough, yes. Even before your lips part

and the first syllable escapes, the essence of YOU has already axed its way

into their brains. The way you look and the way you move is more than 80

per cent of someone’s first impression of you. Not one word need be

spoken.

I’ve lived and worked in countries where I didn’t speak the native

language. Yet, without one understandable syllable spoken between us, the

years proved my first impressions were on target. Whenever I met new

colleagues, I could tell instantly how friendly they felt toward me, how

confident they were, and approximately how much stature they had in the

company. I could sense, just from seeing them move, which were the

heavyweights and which were the welterweights.

I have no extrasensory skill. You’d know, too. How? Because before you

have had time to process a rational thought, you get a sixth sense about

someone. Studies have shown emotional reactions occur even before the

brain has had time to register what’s causing that reaction.4 Thus the

moment someone looks at you, he or she experiences a massive hit, the

impact of which lays the groundwork for the entire relationship. Bob told

me he captures that first hit in creating his caricatures.

Deciding to pursue my own agenda for How to Talk to Anyone, I asked,

‘Bob, if you wanted to portray somebody really cool – you know,

intelligent, strong, charismatic, principled, fascinating, caring, interested in

other people …’

‘Easy,’ Bob interrupted. He knew precisely what I was getting at. ‘Just

give ’em great posture, a heads-up look, a confident smile, and a direct

gaze.’ It’s the ideal image for somebody who’s a Somebody.

How to look like a somebody

A friend of mine, Karen, is a highly respected professional in the homefurnishings business. Her husband is an equally big name in the

communications field. They have two small sons.

Whenever Karen is at a home-furnishings industry event, everyone pays

deference to her. She’s a Very Important Person in that world. Her

colleagues at conventions jostle for position just to be seen casually chatting

with her and, they hope, be photographed rubbing elbows with her for

industry bibles like Home Furnishings Executive and Furniture World.

Yet, Karen complains, when she accompanies her husband to

communications functions, she might as well be a nobody. When she takes

her kids to school functions, she’s just another mum. She once asked me,

‘Leil, how can I stand out from the crowd so people who don’t know me

will approach me and at least assume I’m an interesting person?’ The

techniques in this section accomplish precisely that. When you use the next

nine techniques, you will come across as a special person to everyone you

meet. You will stand out as a Somebody in whatever crowd you find

yourself in, even if it’s not your crowd.

Let’s start with your smile.

Smile quick? or smile special?

In 1936, one of Dale Carnegie’s six musts in How to Win Friends and

Influence People was SMILE! His edict has been echoed each decade by

practically every communications guru who ever put pen to paper or mouth

to microphone. However, at the turn of the millennium, it’s high time we reexamine the role of the smile in high-level human relations. When you dig

deeper into Dale’s dictum, you’ll find a 1936 quick smile doesn’t always

work. Especially nowadays.

The old-fashioned instant grin carries no weight with today’s

sophisticated crowd. Look at world leaders, negotiators, and corporate

giants. Not a smiling sycophant among them. Key Players in all walks of

life enrich their smile so, when it does erupt, it has more potency and the

world smiles with them.

Researchers have catalogued dozens of different types of smiles. They

range from the tight rubber band of a trapped liar to the soft squishy smile

of a tickled infant. There are warm smiles and cold smiles. There are real

smiles and fake smiles. (You’ve seen plenty of those plastered on the faces

of friends who say they’re ‘delighted you decided to drop by,’ and

presidential candidates visiting your city who say they’re ‘thrilled to be in,

uh … uh …’) Big Winners know their smile is one of their most powerful

weapons, so they’ve fine-tuned it for maximum impact.

How to fine-tune your smile

I have an old college friend named Missy who, just last year, took over her

family business, a company supplying corrugated boxes to manufacturers.

One day she called saying she was coming to New York to court new

clients and she invited me to dinner with several of her prospects. I was

looking forward to once again seeing my friend’s quicksilver smile and

hearing her contagious laugh. Missy was an incurable giggler, and that was

part of her charm.

When her Dad passed away last year, she told me she was taking over the

business. I thought Missy’s personality was a little bubbly to be a CEO in a

tough business. But, hey, what do I know about the corrugated box biz?

She, I, and three of her potential clients met in the cocktail lounge of a

midtown restaurant and, as we led them into the dining room, Missy

whispered in my ear, ‘Please call me Melissa tonight.’

‘Of course,’ I winked back, ‘not many company presidents are called

Missy!’ Soon after the maitre d’ seated us, I began noticing Melissa was a

very different woman from the giggling girl I’d known in college. She was

just as charming. She smiled as much as ever. Yet something was different.

I couldn’t quite put my finger on it.

Although she was still effervescent, I had the distinct impression

everything Melissa said was more insightful and sincere. She was

responding with genuine warmth to her prospective clients, and I could tell

they liked her, too. I was thrilled because my friend was scoring a knockout

that night. By the end of the evening, Melissa had three big new clients.

Afterward, alone with her in the cab, I said, ‘Missy, you’ve really come a

long way since you took over the company. Your whole personality has

developed, well, a really cool, sharp corporate edge.’

‘Uh uh, only one thing has changed,’ she said.

‘What’s that?’

‘My smile,’ she said.

‘Your what?’ I asked incredulously.

‘My smile,’ she repeated as though I hadn’t heard her. ‘You see,’ she

said, with a distant look coming into her eyes, ‘when Dad got sick and

knew in a few years I’d have to take over the business, he sat me down and

had a life-changing conversation with me. I’ll never forget his words. Dad

said, “Missy, Honey, remember that old song, ‘I Loves Ya, Honey, But Yer

Feet’s Too Big?’” Well, if you’re going to make it big in the box business,

let me say, “I loves ya, Honey, but your smile’s too quick.”

‘He then brought out a yellowed newspaper article quoting a study he’d

been saving to show me when the time was right. It concerned women in

business. The study showed women who were slower to smile in corporate

life were perceived as more credible.’

As Missy talked, I began to think about women like Margaret Thatcher,

Indira Gandhi, Golda Meir, Madeleine Albright, and other powerful women

of their ilk. True, they were not known for their quick smiles.

Missy continued, ‘The study went on to say a big, warm smile is an asset.

But only when it comes a little slower, because then it has more credibility.’

From that moment on, Missy explained, she gave clients and business

associates her big smile. However, she trained her lips to erupt more slowly.

Thus her smile appeared more sincere and personalized for the recipient.

That was it! Missy’s slower smile gave her personality a richer, deeper,

more sincere cachet. Though the delay was less than a second, the

recipients of her beautiful big smile felt it was special, and just for them.

I decided to do more research on the smile. When you’re in the market

for shoes, you begin to look at everyone’s feet. When you decide to change

your hairstyle, you look at everyone’s haircut. Well, for several months, I

became a steady smile watcher. I watched smiles on the street. I watched

smiles on TV. I watched the smiles of politicians, the clergy, corporate

giants, and world leaders. My findings? Amidst the sea of flashing teeth and

parting lips, I discovered the people perceived to have the most credibility

and integrity were just ever so slower to smile. Then, when they did, their

smiles seemed to seep into every crevice of their faces and envelop them

like a slow flood. Thus I call the following technique The Flooding Smile.

Technique 1:

The flooding smile

Don’t flash an immediate smile when you greet someone, as though

anyone who walked into your line of sight would be the beneficiary.

Instead, look at the other person’s face for a second. Pause. Soak in

their persona. Then let a big, warm, responsive smile flood over your

face and overflow into your eyes. It will engulf the recipient like a

warm wave. The split-second delay convinces people your flooding

smile is genuine and only for them.

Let us now travel but a few inches north to two of the most powerful

communications tools you possess, your eyes.

How to detonate those grenades resting on your nose

It’s only a slight exaggeration to say Helen of Troy could sink ships with

her eyes and Davy Crockett could stare down a bear. Your eyes are personal

grenades that have the power to detonate people’s emotions. Just as martial

arts masters register their fists as lethal weapons, you can register your eyes

as psychological lethal weapons when you master the following eye-contact

techniques.

Big Players in the game of life look beyond the conventional wisdom that

teaches ‘Keep good eye contact.’ For one, they understand that to certain

suspicious or insecure people, intense eye contact can be a virulent

intrusion.

When I was growing up, my family had a Haitian housekeeper whose

fantasies were filled with witches, warlocks and black magic. Zola refused

to be left alone in a room with Louie, my Siamese cat. ‘Louie looks right

through me – sees my soul,’ she’d whisper to me fearfully.

In some cultures, intense eye contact is sorcery. In others, staring at

someone can be threatening or disrespectful. Realizing this, Big Players in

the international scene prefer to pack a book on cultural body-language

differences in their carry-on rather than a Berlitz phrase book. In our

culture, however, Big Winners know exaggerated eye contact can be

extremely advantageous, especially between the sexes. In business, even

when romance is not in the picture, strong eye contact packs a powerful

wallop between men and women.

A Boston centre conducted a study to learn the precise effect.5 The

researchers asked opposite-sex individuals to have a two-minute casual

conversation. They tricked half their subjects into maintaining intense eye

contact by directing them to count the number of times their partner

blinked. They gave the other half of the subjects no special eye-contact

directions for the chat.

When they questioned the subjects afterward, the unsuspecting blinkers

reported significantly higher feelings of respect and fondness for their

colleagues who, unbeknown to them, had simply been counting their blinks.

I’ve experienced the closeness intense eye contact engenders with a

stranger firsthand. Once, when giving a seminar to several hundred people,

one woman’s face in the crowd caught my attention. The participant’s

appearance was not particularly unique. Yet she became the focus of my

attention throughout my talk. Why? Because not for one moment did she

take her eyes off my face. Even when I finished making a point and was

silent, her eyes stayed hungrily on my face. I sensed she couldn’t wait to

savour the next insight to spout from my lips. I loved it! Her concentration

and obvious fascination inspired me to remember stories and make

important points I’d long forgotten.

Right after my talk, I resolved to seek out this new friend who was so

enthralled by my speech. As people were leaving the hall, I quickly sidled

up behind my big fan. ‘Excuse me,’ I said. My fan kept walking. ‘Excuse

me,’ I repeated a tad louder. My admirer didn’t vary her pace as she

continued out the door. I followed her into the corridor and tapped her

shoulder gently. This time she whirled around with a surprised look on her

face. I mumbled some excuse about my appreciating her concentration on

my talk and wanting to ask her a few questions.

‘Did you, uh, get much out of the seminar?’ I ventured.

‘Well, not really,’ she answered candidly. ‘I had difficulty understanding

what you were saying because you were walking around on the platform

facing different directions.’

In a heartbeat, I understood. The woman was hearing impaired. I did not

captivate her as I had suspected. She was not intrigued by my talk as I had

hoped. The only reason she kept her eyes glued on my face was because she

was struggling to read my lips!

Nevertheless, her eye contact had given me such pleasure and inspiration

during my talk that, tired as I was, I asked her to join me for coffee. I spent

the next hour recapping my entire seminar just for her. Powerful stuff this

eye contact.

Sticky eyes also means intelligent eyes

There is yet another argument for intense eye contact. In addition to

awakening feelings of respect and affection, maintaining strong eye contact

gives you the impression of being an intelligent and abstract thinker.

Because abstract thinkers integrate incoming data more easily than concrete

thinkers, they can continue looking into someone’s eyes even during the

silences. Their thought processes are not distracted by peering into their

partner’s peepers.6

Back to our valiant psychologists. Yale University researchers, thinking

they had the unswerving truth about eye contact, conducted another study

which, they assumed, would confirm ‘the more eye contact, the more

positive feelings.’ This time, they directed subjects to deliver a personally

revealing monologue. They asked the listeners to react with a sliding scale

of eye contact while their partners talked.

The results? All went as expected when women told their personal stories

to women. Increased eye contact encouraged feelings of intimacy. But,

whoops, it wasn’t so with the men. Some men felt hostile when stared at too

long by another man. Other men felt threatened. Some few even suspected

their partner was more interested than he should be and wanted to slug him.

Your partner’s emotional reaction to your profound gaze has a biological

base. When you look intently at someone, it increases their heartbeat and

shoots an adrenaline-like substance gushing through their veins.7 This is the

same physical reaction people have when they start to fall in love. And

when you consciously increase your eye contact, even during normal

business or social interaction, people will feel they have captivated you.

Men talking to women and women talking to men or women: use the

following technique, which I call Sticky Eyes, for the joy of the recipient –

and for your own advantage. (Men, I’ll have a man-to-man modification of

this technique for you in a moment.)

Technique 2:

Sticky eyes

Pretend your eyes are glued to your Conversation Partner’s with sticky

warm toffee. Don’t break eye contact even after he or she has finished

speaking. When you must look away, do it ever so slowly, reluctantly,

stretching the gooey toffee until the tiny string finally breaks.

What about men’s eyes?

Now gentlemen: when talking to men, you, too, can use Sticky Eyes. Just

make them a little less sticky when discussing personal matters with other

men, lest your listener feel threatened or misinterpret your intentions. But

do increase your eye contact slightly more than normal with men on day-today communications – and a lot more when talking to women. It broadcasts

a visceral message of comprehension and respect.

I have a friend, Sammy, a salesman who unwittingly comes across as an

arrogant chap. He doesn’t mean to, but sometimes his brusque manner

makes it look like he’s running roughshod over people’s feelings.

Once while we were having dinner together in a restaurant, I told him

about the Sticky Eyes technique. I guess he took it to heart. When the waiter

came over, Sammy, uncharacteristically, instead of bluntly blurting out his

order with his nose in the menu, looked at the waiter. He smiled, gave his

order for the appetizer, and kept his eyes on the waiter’s for an extra second

before looking down again at the menu to choose the main dish. I can’t tell

you how different Sammy seemed to me just then! He came across as a

sensitive and caring man, and all it took was two extra seconds of eye

contact. I saw the effect it had on the waiter, too. We received exceptionally

gracious service the rest of the evening.

A week later Sammy called me and said, ‘Leil, Sticky Eyes has changed

my life. I’ve been following it to a T. with women, I make my eyes real

sticky, and with men slightly sticky. And now everybody’s treating me with

such deference. I think it’s part of the reason I’ve made more sales this

week than all last month!’

If you deal with customers or clients in your professional life, Sticky Eyes

is a definite boon to your bottom line. To most people in our culture,

profound eye contact signals trust, knowledge, an ‘I’m here for you’

attitude.

Let’s carry Sticky Eyes one step further. Like a potent medicine that has the

power to kill or cure, the next eye-contact technique has the potential to

captivate or annihilate.

Bring on the big guns

Now we haul in the heavy eyeball artillery: very sticky eyes or superglue

eyes. Let’s call them Epoxy Eyes. Big Bosses use Epoxy Eyes to evaluate

employees. Police investigators use Epoxy Eyes to intimidate suspected

criminals. And clever Romeos use Epoxy Eyes to make women fall in love

with them. (If romance is your goal, Epoxy Eyes is a proven aphrodisiac.)

The Epoxy Eyes technique takes at least three people to pull off – you,

your target, and one other person. Here’s how it works: Usually, when

you’re chatting with two or more people, you gaze at the person who is

speaking. However, the Epoxy Eyes technique suggests you concentrate on

the listener – your target – rather than the speaker. This slightly disorients

Target and he or she silently asks, ‘Why is this person looking at me instead

of the speaker?’ Target senses you are extremely interested in his or her

reactions. This can be beneficial in certain business situations when it is

appropriate that you judge the listener.

Human resources professionals often use Epoxy Eyes, not as a technique,

but because they are sincerely interested in a prospective employee’s

reaction to certain ideas being presented. Lawyers, bosses, police

investigators, psychologists, and others who must examine subjects’

reactions also use Epoxy Eyes for analytical purposes.

When you use Epoxy Eyes, it sends out signals of interest blended with  

complete confidence in yourself. But because Epoxy Eyes puts you in a

position of evaluating or judging someone else, you must be careful. Don’t

overdo it or you could come across as arrogant and brazen.   Technique 3:

Epoxy eyes

This brazen technique packs a powerful punch. Watch your target

person even when someone else is talking. No matter who is speaking,

keep looking at the man or woman you want to impact.

Sometimes using full Epoxy Eyes is too potent, so here is a gentler,

yet effective, form: Watch the speaker but let your glance bounce to

your target each time the speaker finishes a point. This way Mr or Ms

Target still feels you are intrigued by his or her reactions, yet there is

relief from the intensity.

When love is on your mind

If romance is on the horizon, Epoxy Eyes transmits yet another message. It

says, ‘I can’t take my eyes off you’ or ‘I only have eyes for you.’

Anthropologists have dubbed eyes ‘the initial organ of romance’ because

studies show intense eye contact plays havoc with our heartbeat.8

It also

releases a druglike substance into our nervous system called

phenylethylamine. Since this is the hormone detected in the human body

during erotic excitement, intense eye contact can be a turn-on.

Men, Epoxy Eyes is extremely effective on women – if they find you

attractive. The lady interprets her nervous reaction to your untoward gaze as

budding infatuation. If she does not like you, however, your Epoxy Eyes are

downright obnoxious. (Never use Epoxy Eyes on strangers in public settings

or you could get arrested!)

Do you remember the lyrics to the old Shirley Bassey song?

The minute you walked in the joint, I could see you were a man

of distinction – a real big spender.

Good looking, so refined. Say wouldn’t you like to know what’s

going on in my mind?

The goal of this first section is not to make you look like a real big spender.

Rather it is to give you the cachet of a real big Somebody the moment

people lay eyes on you. To that end, we now explore the most important

technique to make you look like a Very Important Person.

‘The minute you walked in the joint, I knew you were a real big

winner’

When the doctor smacks your knee with that nasty little hammer, your foot

jerks forward. Thus the phrase knee-jerk reaction. Your body has another

instinctive reaction. When a big jolt of happiness hits your heart and you

feel like a Winner, your head jerks up automatically and you throw your

shoulders back. A smile frames your lips and softens your eyes.

This is the look Winners have constantly. They stand with assurance.

They move with confidence. They smile softly with pride. No doubt about

it! Good posture symbolizes you are a man or woman who is used to being

on top.

Obviously millions of mothers sticking their knuckles between their kids’

shoulder blades, and trillions of teachers telling students, ‘Stand up

straight!’ hasn’t done the trick. We are a nation of slouchers. We need a

technique more stern than teachers, more persuasive than parents, to make

us stand like a Somebody.

In one profession, perfect posture, perfect equilibrium, perfect balance is

not only desirable – it’s a matter of life and death. One false move, one

slump of the shoulders, one hangdog look, can mean curtains for the highwire acrobat.

I’ll never forget the first time Mama took me to the circus. When seven

men and women raced into the centre ring, the crowd rose as though they

were all joined at the hips. They cheered with one thunderous voice. Mama

pressed her lips against my ear and reverently whispered these were the

Great Wallendas, the only troupe in the world to perform the seven-person

pyramid without a net.

In an instant, the crowd became hushed. Not a cough or a Coke slurp was

heard in the big top as Karl and Herman Wallenda shouted cues in German

to their trusting relatives. The family meticulously and majestically

ascended into the position of a human pyramid. They then balanced

precariously on a thin wire hundreds of feet above the hard dirt with no net

between them and sudden death. The vision was unforgettable.

To me, equally unforgettable was the beauty and grace of the seven

Wallendas racing into the centre of the big top to take their bows. Each

perfectly aligned – head high, shoulders back – standing so tall it still didn’t

seem like their feet were touching the ground. Every muscle in their bodies

defined pride, success, and their joy of being alive. (Still!) Here is a

visualization technique to get your body looking like a Winner who is in the

habit of feeling that pride, success, and joy of being alive.

Your posture is your biggest success barometer

Imagine you are a world-renowned acrobat, master of the iron-jaw act

waiting in the wings of the Ringling Bros. and Barnum & Bailey circus.

Soon you will dart into the centre ring to captivate the crowd with the

precision and balance of your body.

Before walking through any door – the door to your office, a party, a

meeting, even your kitchen – picture a leather bit hanging by a cable from

the frame. It is swinging just an inch higher than your head. As you pass

through the door, throw your head back and chomp on the imaginary dental

grip which first pulls your cheeks back into a smile, and then lifts you up.

As you ascend high above the gasping crowd, your body is stretched into

perfect alignment – head high, shoulders back, torso out of hips, feet

weightless. At the zenith of the tent, you spin like a graceful top to the

amazement and admiration of the crowd craning their necks to watch you.

Now you look like a Somebody.

One day, to test Hang by Your Teeth, I decided to count how many times I

walked through a doorway. Sixty times, even at home. You calculate: twice

out your front door, twice in, six times to the bathroom, eight times to the

kitchen, and through countless doors at your office. It adds up. Visualize

anything sixty times a day and it becomes a habit! Habitual good posture is

the first mark of a Big Winner.

Technique 4:

Hang by your teeth

Visualize a circus iron-jaw bit hanging from the frame of every door

you walk through. Take a bite and, with it firmly between your teeth,

let it swoop you to the peak of the big top. When you Hang by Your

Teeth, every muscle is stretched into perfect posture position.

You are now ready to float into the room to captivate the crowd or

close the sale (or maybe just settle for looking like the most important

Somebody in the room).

You now have all the basics Bob the artist needs to portray you as a Big

Winner. Like he said, ‘great posture, a heads-up look, a confident smile, and

a direct gaze.’ The ideal image for somebody who’s a Somebody.

Now let’s put the whole act into motion. It’s time to turn your attention

outward to your Conversation Partner. Use the next two techniques to make

him or her feel like a million.

‘Well, how do you like me so far?’

Remember the old joke? The comic comes onstage and the first words out

of his mouth are, ‘Well, how do you like me so far?’ The audience always

cracks up. Why? Because we all silently ask that question. Whenever we

meet someone, we know, consciously or subconsciously, how they’re

reacting to us.

Do they look at us? Do they smile? Do they lean toward us? Do they

somehow recognize how wonderful and special we are? We like those

people. They have good taste. Or do they turn away, obviously unimpressed

by our magnificence. The cretins!

Two people getting to know each other are like little puppies sniffing

each other out. We don’t have tails that wag or hair that bristles. But we do

have eyes that narrow or widen. And hands that flash knuckles or

subconsciously soften in the palms-up ‘I submit’ position. We have dozens

of other involuntary reactions that take place in the first few moments of

togetherness.

Attorneys conducting voir dire are exquisitely aware of this. They pay

close attention to your instinctive body reactions. They watch to see how

fully you are facing them and just how far forward or back you’re leaning

while answering their questions. They check out your hands. Are they softly

open, palms up, signifying acceptance of the ideas they’re expressing? Or

are you making a slight fist, knuckles out, signalling rejection? They

scrutinize your face for the split seconds you break eye contact when

discussing relevant subjects like your feelings on big awards for damages,

or the death penalty. Sometimes attorneys bring along a legal assistant

whose sole job is to sit on the sidelines and take precise note of your every

fidget.

An interesting aside: trial lawyers often choose women to do this twitchand-turn spying job because, traditionally, females are sharper observers of

subtle body cues than males. Women, more sensitive to emotions than men,

often ask their husbands, ‘Is something bothering you, Honey?’ (These

supersensitive women accuse their husbands of being so insensitive to

emotions that they wouldn’t notice anything is wrong until their neckties

are drenched in her tears.)

The attorney and the assistant then review your ‘score’ on the dozens of

subconscious signals you flashed. Depending on their tally, you could find

yourself on jury duty or twiddling your thumbs back in the juror’s waiting

room.

Trial lawyers are so conscious of body language that, in the 1960s during

the famous trial of the Chicago Seven, defence attorney William Kuntsler

actually made a legal objection to Judge Julius Hoffman’s posture. During

the summation by the prosecution, Judge Hoffman leaned forward which,

accused Kuntsler, sent a message to the jury of attention and interest.

During his defence summation, complained Kuntsler, Judge Hoffman

leaned back, sending the jury a subliminal message of disinterest.

You’re on trial – and you only have ten seconds!

Like lawyers deciding whether they want you on their case, everybody you

meet makes a subconscious judgment on whether they want you in their

lives. They base their verdict greatly on the same signals, your bodylanguage answer to their unspoken question, ‘Well, how do you like me so

far?’

The first few moments of your reactions set the stage upon which the

entire relationship will be played out. If you ever want anything from the

new acquaintance, your unspoken answer to their unspoken question, ‘How

do you like me so far?’ must be, ‘Wow! I really like you.’

When a little four-year-old feels bashful, he slumps, puts his arms up in

front of his chest, steps back, and hides behind mummy’s skirt. However,

when little Johnny sees daddy come home, he runs up to him, he smiles, his

eyes get wide, and he opens his arms for a hug. A loving child’s body is like

a tiny flower bud unfolding to the sunshine.

Twenty, thirty, forty, fifty years of life on earth make little difference.

When forty-year-old Johnny is feeling timid, he slumps and folds his arms

in front of his chest. When he wants to reject a salesman or business

colleague, he turns away and closes him off with a myriad of body signals.

However, when welcoming his loved one home after an absence, big

Johnny opens his body to her like a giant daffodil spreading its petals to the

sun after a rainstorm.

Respond to the hidden infant

Once I was at a corporate star-studded party with an attractive recently

divorced friend of mine. Carla had been a copywriter with one of the

leading advertising agencies which, like so many companies then, had

downsized. My girlfriend was both out of work and out of a relationship.

At this particular party, the pickings for Carla were good, both personally

and professionally. Several times as Carla and I stood talking, one goodlooking corporate male beast or another would find himself within a few

feet of us. More often than not, one of these desirable males would flash his

teeth at Carla. She sometimes graced the tentatively courting male with a

quick smile over her shoulder. But then she’d turn back to our mundane

conversation as though she were hanging on my every word. I knew she

was trying not to look anxious, but inside Carla was crying out, ‘Why

doesn’t he come and speak to us?’

Right after one prize corporate Big Cat smiled but, due to Carla’s

minimal reaction, wandered back into the social jungle, I had to say, ‘Carla,

do you know who that was? He’s the head of the Young & Rubicam in

Paris. They’re looking for copywriters willing to relocate. And he’s single!’

Carla moaned.

Just then we heard a little voice down by Carla’s left knee. ‘Hello!’ We

looked down simultaneously. Little five-year-old Willie, the hostess’s

adorable young son, was tugging on Carla’s skirt, obviously craving

attention.

‘Well, well, well,’ Carla cried out, a big smile erupting all over her face.

Carla turned toward him. Carla kneeled down. Carla touched little Willie’s

elbow. And Carla crooned, ‘Well, hello there, Willie. How are you enjoying

mummy’s nice party?’

Little Willie beamed.

When little Willie finally trundled off to tug on the garments of the next

group of potential attention givers, Carla and I returned to our grown-up

conversing. During our chat, corporate beasts continued to stalk Carla with

their eyes. And Carla continued casting half smiles at them. She was

obviously disappointed none of them were making a further approach. I had

to bite my tongue. Finally, when I felt it was going to bleed from the

pressure of my teeth, I said, ‘Carla, have you been noticing that four or five

men have come over and smiled at you?’

‘Yes,’ Carla whispered, her eyes darting nervously around the room lest

anyone overhear us.

‘And you’ve been giving them little half smiles,’ I continued.

‘Yes,’ she murmured, now confused at my question.

‘Remember when little Willie came up and tugged on your skirt? Do you

recall how you smiled that beautiful big smile of yours, turned toward him,

and welcomed him into our grown-up conversation?’

‘Yee-es,’ she answered haltingly.

‘Well, I have a request, Carla. The next man who smiles at you, I want

you to give him that same big smile you gave Willie. I want you to turn

toward him just like you did then. Maybe even reach out and touch his arm

like you did Willie’s, and then welcome him into our conversation.’

‘Oh Leil, I couldn’t do that.’

‘Carla, do it!’ Sure enough, within a few minutes, another attractive man

wandered our way and smiled. Carla played her role to perfection. She

flashed her beautiful teeth, turned fully toward him, and said, ‘Hello, come

join us.’ He wasted no time accepting Carla’s invitation.

After a few moments, I excused myself. Neither noticed my departure

because they were in animated conversation. The last glimpse I had of my

friend at the party was her floating out the door on the arm of her new

friend.

Just then the technique I call the Big-Baby Pivot was born. It is a skill

that will help you win whatever your heart desires from whatever type of

beasts you encounter in the social or corporate jungle.

Technique 5:

The big-baby pivot

Give everyone you meet the Big-Baby Pivot. The instant the two of you

are introduced, reward your new acquaintance. Give the warm smile,

the total-body turn, and the undivided attention you would give a tiny

tyke who crawled up to your feet, turned a precious face up to yours,

and beamed a big toothless grin. Pivoting 100 per cent toward New

Person shouts ‘I think you are very, very special.’

Remember, deep inside everyone is a big baby rattling the crib, wailing out

for recognition of how very special he or she is.

The next technique reinforces their suspicion that they are, indeed, the

centre of the universe.

The secret to making people like you

A very wise man with the funny name of Zig9 once told me, ‘People don’t

care how much you know until they know how much you care … about

them.’ Zig Ziglar is right. The secret to making people like you is showing

how much you like them!

Your body is a twenty-four-hour broadcasting station revealing to anyone

within eyeshot precisely how you feel at any given moment. Even if your

Hang by Your Teeth posture is gaining their respect, your Flooding Smile

and Big-Baby Pivot are making them feel special, and your Sticky Eyes are

capturing their hearts and minds, the rest of your body can reveal any

incongruence. Every inch – from the crinkle of your forehead to the

position of your feet – must give a command performance if you want to

effectively present an ‘I care about you’ attitude.

Unfortunately, when meeting someone, our brains are in overdrive.

Remember Shakespeare’s Julius Caesar? He said of Cassius, he ‘has a lean

and hungry look – he thinks too much – such men are dangerous.’ So it is

with our brains when conversing with a new acquaintance. Our brains

become lean. (Some of us are fighting off shyness. Others are frantically

sizing up the situation.) And hungry (we’re deciding what, if anything, we

want from this potential relationship). So we think too much instead of

responding with candid, unselfconscious friendliness. Such actions are

dangerous to impending friendship, love, or commerce.

When our bodies are shooting off 10,000 bullets of stimuli every second,

a few shots are apt to misfire and reveal shyness or hidden hostility. We

need a technique to assure every shot aims right at the heart of our subject.

We need to trick our bodies into reacting perfectly.

To find it, let’s explore the only time we don’t need to worry about any

shyness or negativity slipping out through our body language. It’s when we

feel none. That happens when we’re chatting with close friends. When we

see someone we love or feel completely comfortable with, we respond

warmly from head to toe without a thought. Our lips part happily. We step

closer. Our arms reach out. Our eyes become soft and wide. Even our palms

turn up and our bodies turn fully toward our dear friend.

How to trick your body into doing everything right

Here’s a visualization technique that accomplishes all that. It guarantees

that everyone you encounter will feel your warmth. I call it Hello Old

Friend.

When meeting someone, play a mental trick on yourself. In your mind’s

eye, see him or her as an old friend, someone you had a wonderful

relationship with years ago. But somehow you lost track of your friend. You

tried so hard to find your good buddy, but there was no listing in the phone

book. No information on-line. None of your mutual friends had a clue.

Suddenly, WOW! What a surprise! After all those years, the two of you

are reunited. You are so happy.

That’s where the pretending stops. Obviously, you are not going to try to

convince New Person that the two of you are really old friends. You are not

going to hug and kiss and say, ‘Great to see you again!’ or ‘How have you

been all these years?’ You merely say, ‘Hello,’ ‘How do you do,’ ‘I am

pleased to meet you.’ But, inside, it’s a very different story.

You will amaze yourself. The delight of rediscovery fills your face and

buoys up your body language. I sometimes jokingly say if you were a light,

you’d beam on the other person. If you were a dog, you’d be wagging your

tail. You make New Person feel very special indeed.

Technique 6:

Hello old friend

When meeting someone, imagine he or she is an old friend (an old

customer, an old beloved, or someone else you had great affection for).

How sad, the vicissitudes of life tore you two asunder. But, holy

mackerel, now the party (the meeting, the convention) has reunited you

with your long-lost old friend!

The joyful experience starts a remarkable chain reaction in your

body from the subconscious softening of your eyebrows to the

positioning of your toes – and everything between.

In my seminars, I first have people introduce themselves to another

participant before they’ve learned the Hello Old Friend technique. The

group chats as though at a pleasant semi-formal gathering. Later I ask them

to introduce themselves to another stranger, imagining they are old friends.

The difference is extraordinary. When they’re using Hello Old Friend, the

room comes alive. The atmosphere is charged with good feeling. The air

sparkles with happier, high-energy people. They are standing closer,

laughing more sincerely, and reaching out to one another. I feel like I’m

attending a terrific bash that’s been going on for hours.

Not a word need be spoken

The Hello Old Friend technique even supersedes language. Whenever

you’re travelling in countries where you don’t speak the native tongue, be

sure to use it. If you find yourself with a group of people who are all

speaking a language unknown to you, just imagine them to be a group of

your old friends. Everything is fine except they momentarily forgot how to

speak English. In spite of the fact you won’t understand a word, your whole

body still responds with congeniality and acceptance.

I’ve used the Hello Old Friend technique while travelling in Europe.

Sometimes my English-speaking friends who live there tell me their

European colleagues say I am the friendliest American they’ve ever met.

Yet, we’d never spoken a word between us!

A self-fulfilling prophesy

An added benefit to the Hello Old Friend technique is it becomes a selffulfilling prophesy. When you act as though you like someone, you start to

really like them. An Adelphi University study called, appropriately,

‘Believing Another Likes or Dislikes You: Behaviours Making the Beliefs

Come True’ proved it.10 Researchers told volunteers to treat unsuspecting

subjects as though they liked them. When surveyed later, the results showed

the volunteers wound up genuinely liking the subjects. The unsuspecting

subjects were also surveyed. These respondents expressed much higher

respect and affection for the volunteers who pretended they liked them.

What it boils down to is: Love begets love, like begets like, respect begets

respect. Use the Hello Old Friend technique and you will soon have many

new ‘old friends’ who wind up genuinely liking you.

You now have all the basics to come across to everyone you meet as a

Somebody, a friendly Somebody. But your job isn’t over yet. In addition to

being liked, you want to appear credible, intelligent, and sure of yourself.

Each of the next three techniques accomplishes one of those goals.

How to come across as 100 per cent credible
I have a friend, a highly respected headhunter named Helen. Helen makes
terrific hires for her clients. I once asked her the secret of her success. She
said, ‘Probably because I can almost always tell when an applicant is lying.’
‘How can you tell?’
She said, ‘Well, just last week, I was interviewing a young woman for a
position as marketing director for a small firm. Throughout the interview,
the applicant had been sitting with her left leg crossed over her right. Her
hands were comfortably resting in her lap and she was looking directly at
me.
‘I asked her salary. Without swerving her eyes from mine, she told me. I
asked if she enjoyed her work. Still looking directly at me, she said, “yes.”
Then I asked her why she left her previous job.’
Helen said, ‘At that point, her eyes fleetingly darted away before
regaining eye contact with me. Then, while answering my question, she
shifted in her seat and crossed her right leg over her left. At one point, she
put her hands up to her mouth.’
Helen said, ‘That’s all I needed. With her words she was telling me she
felt her “growth opportunities were limited at her previous firm.” But her
body told me she was not being entirely forthright.’
Helen went on to explain the young woman’s fidgeting alone wouldn’t
prove she was lying. Nevertheless, it was enough, she said, that she wanted
to pursue the subject further.
Helen continued, ‘So I tested it. I changed the subject and went back to
more neutral territory. I asked her about her goals for the future. Again, the
girl stopped fidgeting. She folded her hands in her lap as she told me how
she’d always wanted to work in a small company in order to have hands-on
experience with more than one project.
‘Then I repeated my earlier question. I asked again if it was only the lack
of growth opportunity that made her leave her previous position. Sure
enough, once again, the woman shifted in her seat and momentarily broke
eye contact. As she continued talking about her last job, she started rubbing
her forearm.’
Helen continued to probe until she finally uncovered the truth. The
applicant had been fired due to a nasty disagreement with the marketing
director she worked for.
Human resources professionals who interview applicants and police
officers who interrogate suspected criminals are trained to detect lies. They
know specifically what signals to look for. The rest of us, although not
knowledgeable about specific clues to deceit, have a sixth sense when
someone is not telling us the truth.
Just recently a colleague of mine was considering hiring an in-house
booking agent. After interviewing one fellow she said to me, ‘I don’t know.
I don’t really think he has the success he claims.’
‘You think he’s lying to you?’ I asked.
‘Absolutely. And the funny thing is I can’t tell why. He looked right at
me. He answered all my questions directly. There was just something that
didn’t seem right.’
Employers often feel this way. They have a gut feeling about someone
but they can’t put their finger on it. Because of that, many large companies
turn to the polygraph. The polygraph, or lie detector, is a mechanical
apparatus designed to detect if someone is lying. Banks, chemists, and
grocery stores rely heavily on it for pre-employment screening. The FBI,
Justice Department, and most police departments have used the polygraph
on suspects. And the interesting part is the polygraph is not a lie detector at
all! All the machine can do is detect fluctuations in our autonomic nervous
system – changes in breathing patterns, sweating, flushing, heart rate, blood
pressure, and other signs of emotional arousal.
So is it accurate? Well, yes, often it is. Why? Because when the average
person tells a lie, he or she is emotionally aroused and bodily changes do
take place. When that happens, they fidget. Experienced or trained liars,
however, can fool the polygraph.
Beware the appearance of lying, even when you’re telling the
truth
Problems arise for us when we are not lying, but are feeling emotional or
intimidated by the person we are talking with. A young man telling an
attractive woman about his business success might shift his weight. A
woman talking about her company’s track record to an important client
could rub her neck.
More problems arise out of the atmosphere. A businessman who doesn’t
feel nervous at all could loosen his collar because the room is hot. A
politician giving a speech outdoors could blink excessively because the air
is dusty. Even though erroneous, these fidgety movements give their
listeners the sense something just isn’t right or a gut feeling they’re lying.
Professional communicators are alert to this hazard. They consciously
squelch any signs anyone could mistake for shiftiness. They fix a constant
gaze on their listener. They never put their hands on their faces. They don’t
massage their arm when it tingles, or rub their nose when it itches. They
don’t loosen their collar when it’s hot or blink because it’s sandy. They
don’t wipe away tiny perspiration beads in public or shield their eyes from
the sun. They suffer because they know fidgeting undermines credibility.
Consider the infamous September 25, 1960, televised US presidential
debate between Richard Milhous Nixon and John Fitzgerald Kennedy.
Political pundits speculate Nixon’s lack of make-up, his fidgeting and
mopping his brow on camera lost him the election.
Technique 7:
Limit the fidget
Whenever your conversation really counts, let your nose itch, your ear
tingle, or your foot prickle. Do not fidget, twitch, wiggle, squirm, or
scratch. And above all, keep your paws away from your face. Hand
motions near your face and all fidgeting can give your listener the gut
feeling you’re fibbing.
If you want to come across as an entirely credible Somebody, try to squelch
all extraneous movement when your communication counts. I call the
technique Limit the Fidget.
Now let’s tackle intelligence. ‘What?’ you ask. ‘Can people come across as
more intelligent than they really are?’ Well, did you ever hear of Hans, the
counting horse? Hans was considered the most intelligent horse in history,
and he used the technique I’m about to suggest.
How to make them say ‘you’ve got horse sense’
A horse, a very clever horse named Hans, inspires this next technique. Hans
was owned by Herr von Osten, a Berliner, who had trained Hans to do
simple arithmetic by tapping his right front hoof. So prodigious was Hans’s
ability that the horse’s fame quickly spread throughout Europe in the early
1900s. He became known as Clever Hans, the counting horse.
Herr von Osten taught Hans to do more than just add. Soon the horse
could subtract and divide. In time, Clever Hans even mastered the
multiplication tables. The horse became quite a phenomenon. Without his
owner uttering a single word, Hans could count out the size of his audience,
tap the number wearing glasses, or respond to any counting question they
asked him.
Finally, Hans achieved the ultimate ability that separates man from
animal – language. Hans ‘learned’ the alphabet. By tapping out hoof beats
for each letter, he answered any question about anything humans had read
in a newspaper or heard on the radio. He could even answer common
questions about history, geography, and human biology.
Hans made headlines and was the main topic of discussion at dinner
parties throughout Europe. The ‘human horse’ quickly attracted the
attention of scientists, psychology professors, veterinarians, even cavalry
officers. Naturally they were sceptical, so they established an official
commission to decide whether the horse was a case of clever trickery or
equine genius. Whatever their suspicions, it was obvious to all, Hans was a
very smart horse. Compared to other horses, Hans was a Somebody.
Cut to today. Why is it when you talk with certain individuals you just
know they are smarter than other people – that they are a Somebody? Often
they’re not discussing highfalutin’ subjects or using long words.
Nevertheless, everybody knows. People say, ‘She’s smart as a whip,’ ‘He
doesn’t miss a trick,’ ‘She picks up on everything,’ ‘He’s got the right
stuff,’ ‘She’s got horse sense.’ Which brings us back to Hans.
The day of the big test arrived. Everyone was convinced it must be a trick
orchestrated by Herr von Osten, Hans’s owner. There was standing room
only in the auditorium filled with scientists, reporters, clairvoyants,
psychics and horse lovers who eagerly awaited the answer. The canny
commission members were confident this was the day they would expose
Hans as chicanery because they, too, had a trick up their sleeves. They were
going to bar von Osten from the hall and put his horse to the test all alone.
When the crowd was assembled, they told von Osten he must leave the
auditorium. The surprised owner departed, and Hans was stranded in an
auditorium with a suspicious and anxious audience.
The confident commission leader asked Hans the first mathematical
question. He tapped out the right answer! A second. He got it right! Then a
third. Then the language questions followed. He got them all right!
The commission was befuddled. The critics were silenced.
However, the public wasn’t. With a great outcry, they insisted on a new
commission. The world waited while, once again, the authorities gathered
scientists, professors, veterinarians, cavalry officers, and reporters from
around the world.
Only after this second commission put Hans to the test did the truth about
the clever horse come out. Commission number two started the enquiry
perfunctorily with a simple addition problem. This time, however, instead
of asking the question out loud for all to hear, one researcher whispered a
number in Hans’s ear, and a second researcher whispered another. Everyone
expected Hans to quickly tap out the sum. But Hans remained dumb! Aha!
The researchers revealed the truth to the waiting world. Can you guess what
that was?
Here’s a hint: when the audience or researcher knew the answer, Hans
did, too. Now can you guess?
People gave off very subtle body-language signals the moment Hans’s
hoof gave the right number of taps. When Hans started tapping the answer
to a question, the audience would show subtle signs of tension. Then, when
Hans reached the right number, they responded by an expulsion of breath or
slight relaxation of muscles. Von Osten had trained Hans to stop tapping at
that point, and therefore appear to give the right answer.
Hans was using the technique I call Hans’s Horse Sense. He watched his
audiences’ reactions very carefully and planned his responses accordingly.
If a horse can do it, so can you
Have you ever been watching TV when the phone rings? Someone asks you
to hit the mute button on the television so they can talk. Because there’s no
sound now, you watch the TV action more carefully. You see performers
smiling, scowling, smirking, squinting, and scores of other expressions. You
don’t miss a bit of the story because, just from their expressions, you can
tell what they’re thinking. Hans’s Horse Sense is just that – watching
people, seeing how they’re reacting, and then making your moves
accordingly. Even while you’re talking, keep your eyes on your listeners
and watch how they’re responding to what you’re saying. Don’t miss a
trick.
Are they smiling? Are they nodding? Are their palms up? They like what
they’re hearing.
Are they frowning? Are they looking away? Are their knuckles
clenched? Maybe they don’t.
Are they rubbing their necks? Are they stepping back? Are their feet
pointing toward the door? Maybe they want to get away.
You don’t need a complete course in body language here. Already your
life’s experience has given you a good grounding in that. Most people know
if their Conversation Partners step back or look away, they’re not interested
in what you’re saying. When they think you’re a pain in the neck they rub
theirs. When they feel superior to you, they steeple their hands.
We’ll explore more body-language specifics in Technique # 77: Eyeball
Selling. For the moment, all you need to do is tune to the silent channel
being broadcast by the speaker.
Technique 8:
Hans’s horse sense
Make it a habit to get on a dual track while talking. Express yourself,
but keep a keen eye on how your listener is reacting to what you’re
saying. Then plan your moves accordingly.
If a horse can do it, so can a human. People will say you pick up on
everything. You never miss a trick. You’ve got horse sense.
You now have eight techniques to help you come across as a confident,
credible, and charismatic person who makes everyone he or she comes in
contact with feel like a million. Let’s explore one last technique in this
section to put it all together and make sure you don’t miss a beat.
How to make sure you don’t miss a beat
You’ve seen professional skiing on television? The athlete at the top of the
piste, every muscle primed and poised, waiting for the gun to propel him to
ultimate victory. Look deeply into his eyes and you’ll see he is having an
out-of-body experience. In his mind’s eye, the skier is swooshing down the
slope, zapping back and forth between the poles, and sliding across the
finish line in  faster time than the world thought possible. The athlete is
visualizing.
All athletes do it: divers, runners, jumpers, javelin throwers, lugers,
swimmers, skaters, acrobats. They visualize their magic before performing
it. They see their own bodies bending, twisting, flipping, flying through the
air. They hear the sound of the wind, the splash in the water, the whirr of
the javelin, the thud of its landing. They smell the grass, the cement, the
pool, the dust. Before they move a muscle, professional athletes watch the
whole movie, which, of course, ends in their own victory.
Sports psychologists tell us visualization is not just for top-level
competitive athletes. Studies show mental rehearsal helps weekend athletes
sharpen their golf, their tennis, their running, whatever their favourite
activity. Experts agree if you see the pictures, hear the sounds, and feel the
movements of your body in your mind before you do the activity, the effect
is powerful.
‘Twenty-six miles on my mattress’
Psychological mumbo jumbo? Absolutely not! I have a friend, Richard,
who runs marathons. Once, several years ago, a scant three weeks before
the big New York marathon, an out-of-control car crashed into Richard’s
and he was taken to the hospital. He was not badly injured. Nevertheless,
his friends were sorry for him because being laid up two weeks in bed
would, naturally, knock him out of the big event.
What a surprise when, on that crisp November marathon morning in
Central Park, Richard showed up in his little shorts and big running shoes.
‘Richard, are you crazy? You’re in no shape to run. You’ve been in bed
these past few weeks!’ we all cried out.
‘My body may have been in bed,’ he replied, ‘but I’ve been running.’
‘What?’ we asked in unison.
‘Yep. Every day. Twenty-six miles, 385 yards, right there on my
mattress.’ Richard explained that in his imagination he saw himself
traversing every step of the course. He saw the sights, heard the sounds, and
felt the twitching movements in his muscles. He visualized himself racing
in the marathon.
Richard didn’t do as well as he had the year before, but the miracle is he
finished the marathon, without injury, without excessive fatigue. It was all
due to visualization. Visualization works in just about any endeavour you
apply it to – including being a terrific communicator.
Visualization works best when you feel totally relaxed. Only when you
have a calm state of mind can you get clear, vivid images. Do your
visualization in the quiet of your home or car before leaving for the party,
the convention, or the big-deal meeting. See it all in your mind’s eye ahead
of time.
Technique 9:
Watch the scene before you make the scene
Rehearse being the Super Somebody you want to be ahead of time. See
yourself walking around with Hang by Your Teeth posture, shaking
hands, smiling the Flooding Smile, and making Sticky Eyes. Hear
yourself chatting comfortably with everyone. Feel the pleasure of
knowing you are in peak form and everyone is gravitating toward you.
Visualize yourself a Super Somebody. Then it all happens
automatically.
You now have the skills necessary to get you started on the right foot with
any new person in your life. Think of yourself in these first moments like a
rocket taking off. When the folks at Cape Kennedy aim a spacecraft for the
moon, a mistake in the millionth of a degree at the beginning, when the
craft is still on the ground, means missing the moon by thousands of miles.
Likewise, a tiny body-language blooper at the outset of a relationship may
mean you will never make a hit with that person. But with Flooding Smile,
Sticky Eyes, Epoxy Eyes, Hang by Your Teeth, Big-Baby Pivot, Hello Old
Friend, Limit the Fidget, Hans’s Horse Sense and Watch the Scene Before
You Make the Scene, you’ll be right on course to get whatever you
eventually want from anybody – be it business, friendship, or love.
We now move from the silent world to the spoken word

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